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      <image:caption>The exhibition will showcase over 300 objects from the collection of the Museo Egizio.</image:caption>
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      <image:title>News - The Temple of Ellesiya now free to all</image:title>
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      <image:title>News - From darkness to light: the new Gallery of Kings</image:title>
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      <image:title>News - Reopening of the Gallery of the Kings and Ellesiya Temple Marks Festival 200 and the Museo Egizio’s bicentenary - President of the Museo Egizio, Evelina Christillin, entering in the Gallery of Kings with President Mattarella and Director Greco</image:title>
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      <image:title>News - Reopening of the Gallery of the Kings and Ellesiya Temple Marks Festival 200 and the Museo Egizio’s bicentenary</image:title>
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      <image:title>News - Reopening of the Gallery of the Kings and Ellesiya Temple Marks Festival 200 and the Museo Egizio’s bicentenary</image:title>
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      <image:title>News - Reopening of the Gallery of the Kings and Ellesiya Temple Marks Festival 200 and the Museo Egizio’s bicentenary</image:title>
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      <image:title>News - Reopening of the Gallery of the Kings and Ellesiya Temple Marks Festival 200 and the Museo Egizio’s bicentenary</image:title>
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      <image:title>News - The new permanent exhibition “Materials. The Shape of Time”</image:title>
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      <image:title>News - The new permanent exhibition “Materials. The Shape of Time”</image:title>
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      <image:title>News - The new permanent exhibition “Materials. The Shape of Time”</image:title>
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      <image:title>News - The new permanent exhibition “Materials. The Shape of Time”</image:title>
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  <url>
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  <url>
    <loc>https://af-me.org/news/thots-gift-a2hxl-etlem</loc>
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    <lastmod>2024-08-01</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-15</lastmod>
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      <image:title>News - A letter from Saqqara.                                   The latest archaeological discoveries. - Metti in risalto</image:title>
      <image:caption>The area explored by recent excavations by the Museo Egizio mission, located immediately north of the tomb of Maya. Visible in the distance, to the north, is the majestic Step Pyramid of Pharaoh Djoser.</image:caption>
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    <image:image>
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      <image:title>News - A letter from Saqqara.                                   The latest archaeological discoveries. - Metti in risalto</image:title>
      <image:caption>A snapshot of exploring the narrow spaces in the underground burial chambers, reachable through the vertical burial shaft in the centre of the courtyard of the tomb of Panehsy.</image:caption>
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      <image:title>News - A letter from Saqqara.                                   The latest archaeological discoveries. - Metti in risalto</image:title>
      <image:caption>Discovering the limestone slab inscribed with the name of the tomb's owner, Panehsy, repeated three times.</image:caption>
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      <image:title>News - A letter from Saqqara.                                   The latest archaeological discoveries. - Metti in risalto</image:title>
      <image:caption>Co-directors of the joint mission, Lara Weiss and Christian Greco at work inside the chapel of Yuyu, copying and translating the hieroglyphic inscriptions with the names and titles of the owner and his family members.</image:caption>
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      <image:title>News - Saqqara Diary 2023 – Fifth week - Metti in risalto</image:title>
      <image:caption>Basma Zaghloul at work restoring the stela of Panehsy.</image:caption>
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      <image:title>News - Saqqara Diary 2023 – Fifth week - Metti in risalto</image:title>
      <image:caption>Christian Greco and Lara Weiss reading the texts in the newly discovered tomb chapel.</image:caption>
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      <image:title>News - Saqqara Diary 2023 – Fifth week - Metti in risalto</image:title>
      <image:caption>Assam Sayed Ahmed Taha and Rafa’at ‘Eid ‘Abdel Karim Morsi el-Kis in the tomb of Maya.</image:caption>
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      <image:title>News - Saqqara Diary 2023 – Fifth week - Metti in risalto</image:title>
      <image:caption>Christian Greco, Lara Weiss, and Salah Hassaballah ready to pay the workmen their well-deserved weekly salary.</image:caption>
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    <lastmod>2023-03-28</lastmod>
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      <image:title>News - Saqqara Diaries 2023 - fourth week - Metti in risalto</image:title>
      <image:caption>The baskets (zanabil) made of plant material are being repaired and strengthened at the excavation site. Photo: Servaas Neijens.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/0a3f449c-5bc7-4104-88de-c1b03ee66704/Staring_2.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - Metti in risalto</image:title>
      <image:caption>Concentrated at work excavating together with rais Hossam. Photo: Servaas Neijens.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/a39491f8-1801-4ac6-af5b-0052a8382e95/Staring_3.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - Metti in risalto</image:title>
      <image:caption>Figure 3: Ready for the descent down the burial shaft of Panehsy with the tambura. Photo: Servaas Neijens.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/d5662908-1acb-43db-b0d1-a35b03073e48/Staring_4.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - Metti in risalto</image:title>
      <image:caption>The tomb shaft with breakthrough into Chamber A of Panehsy is being photographed by the team of the Politecnico di Milano. Photo: Nico Staring.</image:caption>
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      <image:title>News - Saqqara Diaries 2023 - fourth week - Metti in risalto</image:title>
      <image:caption>Team ‘underground burial complex Panehsy’, with Muhammad and Walid</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680001055219-RK71ZNSMHCJ4FISV83XD/Staring_1.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - The baskets (zanabil) made of plant material are being repaired and strengthened at the excavation site. Photo: Servaas Neijens.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680001056889-26AIU76MGG2AR48W7I5D/Staring_2.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - Concentrated at work excavating together with rais Hossam. Photo: Servaas Neijens.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680001060111-SV8GVDK6BH46YE6ST71E/Staring_3.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - Ready for the descent down the burial shaft of Panehsy with the tambura. Photo: Servaas Neijens.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680001066099-MGK75ULCTVNGZ0B0D884/Staring_4.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - The tomb shaft with breakthrough into Chamber A of Panehsy is being photographed by the team of the Politecnico di Milano. Photo: Nico Staring.</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680001071419-BE29RWB9K9OF3P1N5Z62/Staring_5.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - Muhammad has just found the fragment of a canopic vase. Photo: Nico Staring.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680001080547-I0PUR419ICJI54V27OD0/Staring_6.jpg</image:loc>
      <image:title>News - Saqqara Diaries 2023 - fourth week - An almost empty Chamber A with breakthrough into a next shaft. Photo: Nico Staring.</image:title>
      <image:caption />
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      <image:title>News - Saqqara Diaries 2023 - fourth week - Team ‘underground burial complex Panehsy’, with Muhammad and Walid.</image:title>
      <image:caption />
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    <lastmod>2023-03-28</lastmod>
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      <image:title>News - Saqqara Diary 2023 – Third week - Metti in risalto</image:title>
      <image:caption>Alessandro measuring with the total station.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/5e28dd79-ad03-467a-b6ed-74cf359b7a2b/Figure_2.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – Third week - Metti in risalto</image:title>
      <image:caption>Andrea acquiring images for the photogrammetric elaborations.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/db614d7f-2f6f-44c3-9665-a2564658fbd1/Figure_3.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – Third week - Metti in risalto</image:title>
      <image:caption>High-resolution 3D model of a relief.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1680000874892-DMEPSRYNX3OU5GAUX6H0/Figure_5.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – Third week - 3D model of the excavation area.</image:title>
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      <image:title>News - Saqqara Diary 2023 – Third week - 3D model of a context.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://af-me.org/news/saqqara-diggingdiaries-6-tgsa7</loc>
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    <priority>0.5</priority>
    <lastmod>2023-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/c9a95ef2-28c4-4979-aa36-dcafe5eb5ce3/Figure-2.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - Metti in risalto</image:title>
      <image:caption>Parts of the rectangular and anthropoid coffins found in 1999 and restudied in 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/57f87c7b-9faa-4f82-bd01-6298c10a4654/Figure-3-1.jpg</image:loc>
      <image:title>News - Saqqara 2023 - second week - Metti in risalto</image:title>
      <image:caption>Dr. Caroline Arbuckle MacLeod analyzes wooden objects with her microscope in the tomb of Horemheb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/0a727d51-5871-47ec-8978-d2a33621752c/Figure-5.png</image:loc>
      <image:title>News - Saqqara 2023 - second week - Metti in risalto</image:title>
      <image:caption>A microscopic image of one of the wood samples from the coffin – it is sycomore fig!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/3f4a056c-f79f-40b1-a6b3-cc22055aae09/Figure-7.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - Metti in risalto</image:title>
      <image:caption>The foot of the anthropoid coffin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999884907-NIAYAXID6QZ4SCQHSV4U/Figure-1.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - Parts of the rectangular and anthropoid coffins found in 1999 and restudied in 2023.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999884912-TW7WIT3MXVQ576PGJ24P/Figure-2.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - Parts of the rectangular and anthropoid coffins found in 1999 and restudied in 2023.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999885884-519LJXF1M8KOTUSF10DO/Figure-3-1.jpg</image:loc>
      <image:title>News - Saqqara 2023 - second week - Dr. Caroline Arbuckle MacLeod analyzes wooden objects with her microscope in the tomb of Horemheb.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999886068-H8KAWYWIUOJUJJ88GXB0/Figure-4.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - A spider has made its home in the coffin wood.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999892010-ADAE3G11OJF0NUTJ5IZ5/Figure-5.png</image:loc>
      <image:title>News - Saqqara 2023 - second week - A microscopic image of one of the wood samples from the coffin – it is sycomore fig!</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999892138-1SO1EMOWI82JTJT48L03/Figure-6.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - The field laboratory in the tomb of Horemheb.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999893230-69MR6U2PX1U7I6SN1HVA/Figure-7.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - The foot of the anthropoid coffin.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999893165-U24DGZG4XT1PG0O8QB8V/Figure-8.jpg</image:loc>
      <image:title>News - Saqqara 2023 - second week - The back of the foot of the anthropoid coffin. The blue lines highlight the saw marks, the orange arrow indicates chisel marks.</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999893910-ERG94X2U8R42N1RBWMDZ/Figure-9.jpg</image:loc>
      <image:title>News - Saqqara 2023 - second week - The back of the foot of the anthropoid coffin. The red arrow points to the red paint guide line. The green arrow points to the chisel marks in the dovetail joint.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999894006-S0PG5CPRYRTMA4KTSAIC/Figure-10.jpeg</image:loc>
      <image:title>News - Saqqara 2023 - second week - A knick at the top of the cut shows where the carpenters sawed slightly too far.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://af-me.org/news/saqqara-diggingdiaries-7-dr6yx</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/70286b33-2be9-4f00-8824-94372b025fa3/Fig-1+sett.+1.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - Metti in risalto</image:title>
      <image:caption>Lyla Pinch Brock working in the tomb of Panehsy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/a6559fcc-e2e0-4a68-a6e3-865bde13b7e1/Fig-3.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - Metti in risalto</image:title>
      <image:caption>The central chapel of the tomb of Panehsy in 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999641244-5XMZRVIR3VK0G6DJ7CDB/Fig-10.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - Stela in the tomb of Panehsy.</image:title>
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    <image:image>
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      <image:title>News - Saqqara Diary 2023 – First week - Basma Zaghloul Esmael, Lyla Pinch Brock and Yousef Hamadi ‘Awad.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999654941-7GYM7AYR6QRCXUCWSUXB/Fig-8.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - Inspector Hanna Donqol (left) and conservators Basma Zaghloul Esmael (seated) and Yousef Hamadi ‘Awad (standing).</image:title>
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    <image:image>
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      <image:title>News - Saqqara Diary 2023 – First week - Relief fragments depicting Panehsy seated on chair and footstool .</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999662095-37I9A96A3WQSZ06EKZTM/Fig-6.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - A bull depicted in the tomb of Panehsy.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999663868-TRTC9H91T2UXUPZBQOOG/Fig-5.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - Limestone wall fragment with raised relief showing the name of the tomb owner Panehsy.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999665285-K8WRTYQHKTSMEY1R06OG/Fig-4.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - The tomb of Panehsy uncovered in 2022.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1679999666777-LIYJSTJZVXMW6Y18XKFQ/Fig-3.jpg</image:loc>
      <image:title>News - Saqqara Diary 2023 – First week - The central chapel of the tomb of Panehsy in 2022.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://af-me.org/news/thots-gift</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/f7c52a7e-55af-47a3-92f6-f3436c7890e3/IMG-20221205-WA0017.jpg</image:loc>
      <image:title>News - Thoth’s gift: Reading ancient Egypt - Metti in risalto</image:title>
      <image:caption>Di qualunque cosa si tratti, il modo in cui racconti la tua storia online può fare la differenza.</image:caption>
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      <image:title>News - Thoth’s gift: Reading ancient Egypt - Metti in risalto</image:title>
      <image:caption>Di qualunque cosa si tratti, il modo in cui racconti la tua storia online può fare la differenza.</image:caption>
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  </url>
  <url>
    <loc>https://af-me.org/news/saqqara-diggingdiaries-7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/21e561e7-e005-43cc-a13a-c32d63ebc809/Saqqara+7a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - last week - Metti in risalto</image:title>
      <image:caption>Rais Antar Shadouf showing us photos of his family members who came from Quft and worked with archaeological missions in Saqqara.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/ed16f89c-1f27-4dbb-938b-1211b6c58704/Saqqara+7b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - last week - Metti in risalto</image:title>
      <image:caption>Rais Ibrahim Abdel Monsif telling us about his role model, Rais Talal El Kereti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/5ea78647-9778-487b-ab5e-14bfaf1f8175/Saqqara+7c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - last week - Metti in risalto</image:title>
      <image:caption>Interviews on site with Essam Said Ahmed and Rafaat Abdel Karim, two important workmen of the Leiden-Turin mission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1667839951948-6JKQY6B51I4JUFJ2BS4Y/Saqqara+7a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - last week - Rais Antar Shadouf  showing us photos of his family members who came from Quft and worked with archaeological missions in Saqqara.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1667839951562-8PX8LWS92ZOBV180C6ZC/Saqqara+7b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - last week - Rais Ibrahim Abdel Monsif telling us about his role model, Rais Talal El Kereti.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1667839953749-H3BSJXTPZPN34PKZJVL9/Saqqara+7c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - last week - Interviews on site with Essam Said Ahmed and Rafaat Abdel Karim, two important workmen of the Leiden-Turin mission.</image:title>
      <image:caption />
    </image:image>
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  <url>
    <loc>https://af-me.org/news/saqqara-diggingdiaries-6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/e7cafdf4-93f7-43f1-9f62-e0244cebd115/Saqqara+6a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - sixth week - Metti in risalto</image:title>
      <image:caption>Tomasz at work in Saqqara. In the back Alessandro Mandelli works on the Total Station.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/6d29c62a-b252-4fb1-8e90-2bd4a494fed7/Saqqara+6b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - sixth week - Metti in risalto</image:title>
      <image:caption>Konrad at Saqqara</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666344207911-AXDX3VWDTIAZTS6VOVI3/Saqqara+6a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - sixth week - Tomasz at work in Saqqara. In the back Alessandro Mandelli works on the Total Station.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666344207761-7470K0SUEWXQXKCKE9G2/Saqqara+6b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - sixth week - Konrad at Saqqara.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666344218898-O078AYD5OWTXU9M6VDHY/Saqqara+6c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - sixth week - Konrad works together with Maghed Rubi Assam taking measurements. Fluxgate gradiometer Geoscan Research FM256. Photo: Lara Weiss</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666344209308-NJZ47KQKDBG3YM88QLE6/Saqqara+6d.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - sixth week - Magnetic map. Dynamics -/+ 4 nT (white/black). Sampling grid 0.25 x 0.5 m. Image: Tomasz Herbich.</image:title>
      <image:caption />
    </image:image>
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  <url>
    <loc>https://af-me.org/news/saqqara-diggingdiaries-5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/e9025d8c-4cf2-462d-afcf-0febc729e416/Saqqara+5a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fifth week - Metti in risalto</image:title>
      <image:caption>Our mission’s pottery team; Barbara Aston, Valentina Gasperini, Alice Salvador and Lyla Pinch Brock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/6452f320-d65c-4a2c-a16d-ddfa94169c21/Saqqara+5c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fifth week - Metti in risalto</image:title>
      <image:caption>The family gets their group photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666270680757-26CDLBHRUP237T4O4OCA/Saqqara+5a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fifth week - Our mission’s pottery team; Barbara Aston, Valentina Gasperini, Alice Salvador and Lyla Pinch Brock.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666270683525-3PKT2HFR047V3ELWNXG2/Saqqara+5b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fifth week - At work on site copying the family group.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666270685230-I206QHT5RPRTGF0F3G5X/Saqqara+5c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fifth week - The family gets their group photo.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://af-me.org/news/saqqara-diggingdiaries-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/6557fe08-588d-4e6c-851b-2e31e5a9552a/Saqqara+4b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - Metti in risalto</image:title>
      <image:caption>Assam Sayed, Paolo, Magdi Rubi, Rafa’at Eid, Mohammed Sayed and other workmen looking at one of the upright limestone slabs marking the walls of the western chapels of the tomb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/06f94b21-afa7-4c27-9f4a-8a59232b1bd7/Saqqara+4c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - Metti in risalto</image:title>
      <image:caption>Remains of the relief decoration on one of the wall slabs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/b7284d27-4dd7-422b-b182-c7af4b05f57e/Saqqara+4f.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - Metti in risalto</image:title>
      <image:caption>The large robbers’ pit with its dry-stone retaining wall. Photo by Nico Staring</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666269654393-CT29BRNAE5YXO2P6EBR3/Saqqara+4a.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - Paolo working inside the tomb.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666269654519-ORXMHSM2V4SFVA0XEQEE/Saqqara+4b.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - Assam Sayed, Paolo, Magdi Rubi, Rafa’at Eid, Mohammed Sayed and other workmen looking at one of the upright limestone slabs marking the walls of the western chapels of the tomb.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666269658355-5T3Q43N19Y1BM7Y17ZAP/Saqqara+4c.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - Remains of the relief decoration on one of the wall slabs.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1666269657840-MMRGCH7EDKSQEOSK5KPW/Saqqara+4d.jpg</image:loc>
      <image:title>News - Digging Diaries 2022 - fourth week - The chain of baskets (zanabil) organized by the workmen to take the debris out of the tomb courtyard.</image:title>
      <image:caption />
    </image:image>
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    <loc>https://af-me.org/afme</loc>
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    <lastmod>2026-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1617897872771-8CD14R5DE9VLJWDE9RCR/WhatsApp+Image+2021-04-06+at+09.45.01+%283%29.jpeg</image:loc>
      <image:title>AFME - The scientist and the humanist have to work together even more closely to try and unravel the complexity of the contemporary world.</image:title>
      <image:caption>— Christian Greco, Director of Museo Egizio</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1619626533488-RUN30ZRNMRMBNN82PNH4/Christian+Greco.png</image:loc>
      <image:title>AFME - Christian Greco</image:title>
      <image:caption>Christian Greco has been Director of the Museo Egizio since 2014. He managed the refurbishment of the museum building and the renovation of its galleries, the new museum opened in April 2015, whereby the Museo Egizio was transformed from an antiquities museum into an archaeological museum. Trained mainly in the Netherlands, he is an Egyptologist with vast experience working in museums. He curated many exhibition and curatorial projects in the Netherlands (Rijksmuseum van Oudheden, Leiden; Kunsthal, Rotterdam; Teylers Museum, Haarlem), Japan (Okinawa, Fukushima, Takasaki and Okayama museums), Finland (Vapriikki Museum, Tampere), Spain (La Caixa Foundation) and Scotland (National Museum of Scotland, Edinburgh). While at the head of the Museo Egizio, he has set up important international collaborations with museums, universities, and research institutes all across the world. Since 2011 he has been co-director of the Italian-Dutch archeological mission at Saqqara. Greco’s published record includes many scholarly essays and writings for the non-specialist public in several languages. He has also been a keynote speaker at a number of Egyptology and museology international conferences.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1619626727782-LV1V6O8H76YH4EVPG8K6/Cedric+Gobeil_crop.png</image:loc>
      <image:title>AFME - Cédric Gobeil</image:title>
      <image:caption>Cédric Gobeil is a Canadian and French Egyptologist born in Quebec City (Canada), specializing in archaeology of daily life and New Kingdom material culture, with a primary focus on Deir el-Medina, topics for which he is carrying annual fieldwork in Egypt and Sudan.  After having obtained his PhD in France (Université Paris IV-Sorbonne), he worked in Egypt for the Institut français d’archéologie orientale du Caire and in the United Kingdom for the Egypt Exploration Society, where he was introduced to fundraising, before being appointed curator at the Museo Egizio in Turin in 2019.  In addition to his curatorial duties, he is also an adjunct professor in the History Department at the Université duQuébec à Montréal and research associate at the HiSoMA Research Unit in Lyon (CNRS).</image:caption>
    </image:image>
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  <url>
    <loc>https://af-me.org/museum</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1619432236180-7KKBJRSPKFBY9JVHBB3N/_DSC5533.jpg</image:loc>
      <image:title>The Museum - The Museum</image:title>
      <image:caption>Upon entering the “Collegio dei Nobili”, the Baroque building located in the heart of Turin that houses the Museo Egizio, it will be like taking a journey back in time.  Founded in 1824 by King Carlo Felice di Savoia, it’s the oldest museum in the world entirely devoted to Egyptian antiquities and it preserves more than 40.000 artifacts, 3.000 of these are exhibited chronologically in the 15 rooms arranged on 4 floors.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1619433695052-VADM9B94S35QH4JN75QS/ALB_6749.jpg</image:loc>
      <image:title>The Museum</image:title>
      <image:caption>This is the result of an impressive work of renovation and expansion of the museum that was finally presented to the public in 2015. Moreover, around 11.000 objects are displayed in the so called “Galleries of Material Culture”. The Museo Egizio of Turin as we know it today is the result of a four-hundred-year-long process, which starts with the first Egyptian antiquities acquired by the House of Savoy in the 17th century. To discover more about the history of the Museum visit the official website.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1619432153795-FT91JLSJHSWXAG00H89S/_DSC5544.jpg</image:loc>
      <image:title>The Museum - Why an Egyptian Museum in Turin?</image:title>
      <image:caption>1563: The Savoy dynasty moved its capital to Turin. Court historians invented an extraordinary genealogy for the new capital, conjecturing that it had Egyptian origins. The bond with Egypt was strengthened when the Dukes of Savoy acquired the Mensa Isiaca, an Egyptising find.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1619433506051-RX6YND433JU5ZXUCQH2K/ALB_6731-Modifica.jpg</image:loc>
      <image:title>The Museum</image:title>
      <image:caption>The ties between Turin and Egypt date from long before this museum was founded in 1824.   The story begins in 1563, the year when the Dukes of Savoy moved their capital from Chambery to Turin. The general climate of the period induced the nobility to seek their origins in religion and mythology, so ennobling the foundation of the capital. In 1567, during work on the fortifications of Turin, the base of a statue was discovered dating from Roman times with an inscription in Latin, suggesting that a sanctuary dedicated to Isis once stood on the spot.  This led the court historians Filiberto Pingone (1577) and Emanuele Tesauro (1679) to imagine that the city had Egyptian origins. In this context, probably between 1626 and 1630, the Savoys acquired a collection of antiquities from the Gonzagas of Mantua, outstanding among them the Mensa Isiaca.</image:caption>
    </image:image>
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    <lastmod>2026-02-16</lastmod>
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    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://af-me.org/collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/8d77a449-4076-4d02-bda1-51659d07b475/Screenshot+2021-04-26+at+14.36.16.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/65b2dcff-bddb-4a84-b6a5-ea3902026f79/WhatsApp+Image+2021-04-06+at+09.45.01+%283%29.jpeg</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>The statues of the goddess Sekhmet The Museo Egizio has many colossal statues of the goddess Sekhmet. These sculptures all belong to a very numerous series, specimens of which are found in many Egyptian collections in the world and at several sites in Egypt. Most were discovered in the temple of Mut in Karnak. It is possible that even during Amenhotep III’s reign, these statues of Sekhmet were installed in several temples, According to another hypothesis, they originally all stood in the ‘Temple of Millions of Years’ of Amonhotep III (1390-1353 BC), on the site of Kom el-Hettan (western Thebes). These statues were used for daily rites which allowed the king to regenerate and ensure the equilibrium of the cosmos for eternity.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/8fcbd51c-6a07-4b85-9af9-2acd6ca76606/WhatsApp+Image+2021-04-06+at+09.45.05+%285%29.jpeg</image:loc>
      <image:title>The Collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/7e78d421-ae15-45cb-b2cf-d22e83765ab6/Screenshot+2021-04-26+at+14.56.12.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>Predynastic burial Predynastic Period, Naqada II (ca 3600 – 3350 BC). S. 293-303. This mummy was purchased in Egypt by Ernesto Schiaparelli in the early twentieth century. The body is that of a man who lived in the Predynastic Period, before Egypt was unified. The deceased was buried in the usual foetal position in the desert sand. The technique of mummification was not yet developed in this early period, but the dry warmth of the desert allowed the body to desiccate and mummify naturally. Traces of fabric and matting in which the corpse was wrapped are still visible on this skin of this ‘natural mummy’. Hunting weapons (arrows and throwing sticks), baskets, leather bags and sandals considered necessary to the deceased were usually included in this type of burial.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/7a27a7be-fb95-40b2-8dec-243444f31484/WhatsApp+Image+2021-04-06+at+09.45.26.jpeg</image:loc>
      <image:title>The Collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/2b653974-e566-4244-abff-37de4c96ab6a/Screenshot+2021-04-26+at+14.47.33.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>The coffins of Butehamon Third Intermediate Period, early 21st Dynasty (1076 - 1056 BC), Deir el-Medina. C. 2236/1, 2237/3. In the Third Intermediate Period in the 10th century BC the wall paintings and funerary texts were transferred from the tomb walls to the coffins that became quite elaborate. Butehamon, the royal scribe of the necropolis, was buried in this double anthropoid coffin, distinctive for 21st Dynasty with an extra protective inner ‘false’ lid. The deceased is depicted on the exterior lid holding the djed-amulet (symbolizing the spine of Osiris and endurance) and the tyet-amulet (a protective knot). On the internal lid he holds the feathers of Maat, the goddess of justice. The rest of the figure is decorated with sacred texts, which border religious scenes.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/8fcbd51c-6a07-4b85-9af9-2acd6ca76606/WhatsApp+Image+2021-04-06+at+09.45.05+%285%29.jpeg</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>Ostracon showing an acrobatic dancer New Kingdom, 18th – 20th Dynasty (1292 – 1076 BC), Deir el-Medina. C. 7052. Papyrus was an expensive medium reserved for official documents, so that potsherds and flakes of limestone (ostraca) were normally used instead. The uses were disparate such as for contracts, receipts, letters, stories, writing exercises and even doodles provide an insight into daily life. This magnificently drawn sketch of a lady doing a back bend defies many of the conventions of Egyptian art. The lady is semi naked, wearing a black sarong and gold hoop earrings and is depicted in perfect profile, doing an elegant back bend. Her wavy hair flows wildly free, but her earring defies gravity. The liveliness and quality of draughtsmanship of this semi-erotic sketch, demonstrate a high level of skill and certainly suggests that it was the drawing of a royal artisan working in the Valley of the Kings.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/75ff9666-25ae-4ef0-918b-993262dffcf0/Screenshot+2021-04-26+at+14.38.24.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/9ce5c85c-e1a1-418e-bbb1-0e645ac7c033/Screenshot+2021-04-26+at+14.39.56.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/e10be681-bec1-4836-a6a3-17f9f2bfbc38/5072a42b20a145ab8068ad32c3c95312.full.jpg</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>Gebelein painted linen The Gebelein cloth is the oldest known example of painting on linen so far, dating back to 5,000 years ago. It was discovered during the excavation season carried out in 1930 by Giulio Farina, in the Predynastic cemetery of Gebelein. The object is painted with red, black and white pigments, and shows scenes of life on the Nile, with boats and human figures engaged in various activities. The themes depicted concern a moment of ritual aggregation probably related to the celebration of one or more events related to religious worship or social ceremonies. Various activities are represented: a procession of boats, with rowers and passengers painted in red and depicted in profile; a "dance" of figures dressed in a long black skirt with their arms raised to the sky, facing downwards, or holding hands; and a hippo hunt. Given the complexity of the subjects, not all scholars agree on the interpretation of the functions and intended use of this artefact. The object was found fragmented into numerous pieces which were recomposed into four panels during the thirties of the last century</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/c9f00e8f-dd64-471f-9770-b963fe25278d/Screenshot+2021-04-26+at+14.38.10.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/75ff9666-25ae-4ef0-918b-993262dffcf0/Screenshot+2021-04-26+at+14.38.24.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>Animal mummies – Mummy of a bull Egyptians gods manifested themselves in various forms and many were associated with specific animals. The practice of mummifying animals is documented in Egypt since the Predynastic Period (before 3000 BC), reaching the peak of its popularity in the Late Period, to finally disappear at the end of the 4th century BC. A specially selected specimen of the animal associated with a given deity was worshiped in this deity’s temple and regarded as its incarnation. Upon the animal’s death, the body was mummified and placed in a sarcophagus or coffin. Other animals were mummified and brought to the temple as votive gifts. The bull was associated with the god Api, royal power and the concept of strength.</image:caption>
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      <image:title>The Collection</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/c9f00e8f-dd64-471f-9770-b963fe25278d/Screenshot+2021-04-26+at+14.38.10.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>The Strike Papyrus New Kingdom, 20th Dynasty, reign of Ramesse III (1187 – 1157 BC), Deir el-Medina. C. 1880. The so-called “Strike Papyrus” is a hieratic (a cursive form of ancient Egyptian writing) administrative papyrus reporting the news of a strike that took place during the reign of Ramses III. The report on the papyrus was written by Amunnakht, scribe of the “Goldmine Papyrus” and the “Tomb Plan”. The workers protested because they had not received their regular food rations, which constituted payment for their work in the Valley for the Kings. Despite various attempts at conciliation, the protest lasted a number of days. To the officials who tried to persuade them to return to work, the workers replied: “We are here because of the hunger and thirst… Write to the pharaoh our perfect lord, take note of our words, and write to the vizier our superior because we are in need of our provisions”.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/a5a33c26-4c0f-4051-8803-64529a9b545d/Screenshot+2021-04-26+at+14.53.52.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>The statue of Ramesses II New Kingdom, 19th Dynasty, reign of Ramesses II (279 – 1213 BC), Thebes, Karnak / temple of Amun. C. 1380. This granodiorite sculpture from Thebes is world renown as the highlight portrait of one of the most famous and longest reigning pharaohs: Ramesses II. The king wears the Blue Crown, or war helmet, probably made of leather and inlaid with metal rings, and a long-pleated robe that is asymmetrically draped to create an enormous bell sleeve. In his right hand he grasps the heqa-sceptre of rulership and his feet are shod in sandals. The statue is a beautiful example of the art of the period: the dress, the sandals and the pierced earlobes resume the typical fashion of the previous Amarna period. This statue is one of the symbols of the Museo Egizio. In a letter that he wrote during his stay in Turin in 1824, Champollion describes with enthusiasm “the beauty and the admirable perfection of this colossal figure (…): for six whole months I have seen it every day, and always I have the impression of seeing it for the first time. The head is divine, the feet and hands are admirable, the body is voluptuous; I call it the Egyptian Apollo of the Belvedere … in short, I am in love with it.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/65b2dcff-bddb-4a84-b6a5-ea3902026f79/WhatsApp+Image+2021-04-06+at+09.45.01+%283%29.jpeg</image:loc>
      <image:title>The Collection</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/7a27a7be-fb95-40b2-8dec-243444f31484/WhatsApp+Image+2021-04-06+at+09.45.26.jpeg</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>Funerary Mask of Merit New Kingdom, 18th Dynasty, reigns of Amenhotep II, Tuthmosis IV and Amenhotep III (1425-1353 BC), Deir el-Medina, S. 8473. The mask was found in 1906, in the precious burial assemblage of the Tomb of Kha and his wife Merit. The mask is made of cartonnage, a sort of papier-mâché made of stripes of linen soaked in gypsum, glided and decorated with semi-precious stones and glass. According to Spell 151 of the Books of the Dead, the purpose of the mask is to protect the deceased and restore his sight. The use of god and lapis lazuli describe the divine status of Merit, now an incorruptible spirit.</image:caption>
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      <image:title>The Collection</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/9ce5c85c-e1a1-418e-bbb1-0e645ac7c033/Screenshot+2021-04-26+at+14.39.56.png</image:loc>
      <image:title>The Collection</image:title>
      <image:caption>Mensa Isiaca Mensa Isiaca, 1st century AC, Rome, probably from the Iseum Campense, formerly in the Gonzaga collection. C. 7155. Pursuing an ambitious project to endow Turin with a “Great Gallery” of antiquities, between 1626 and 1630 Charles Emanuel I of Savoy ordered the purchase of a lot of objects from the collection of the Gonzaga dukes in Mantua. Among them was the so-called “Mensa Isiaca”, a bronze table representing the goddess Isis surrounded by other Egyptianized divinities and hieroglyphic signs. Made in the first century AD, probably in Rome, it was presumably meant to grace the altar od a temple of the goddess Isis, possibly the Iseum Campense itself. Its discovery, in 1527, intrigued many scholars interested in the interpretation of hieroglyphs that were later understood to be only decorative and meaningless.</image:caption>
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      <image:title>The Collection</image:title>
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      <image:title>The Collection</image:title>
      <image:caption>The Book of the Dead of Iuefankh Ptolemaic Period (332 – 30 BC). C. 1791. The papyrus, which is 1847cm long, is part of the funerary equipment of Iuefankh, it comes to Turin with the Drovetti collection. The name "Book of the Dead" was coined by Richard Lepsius, a German scholar, to indicate the set of funerary formulas that, starting from the New Kingdom, were written on papyrus and included in the funerary spells to guide the deceased in the hereafter. Thanks to the good preservation of the papyrus, Lepsius was able to study it, starting to classify the text into chapters and establish a canon of reference that is still in use today.</image:caption>
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      <image:title>The Collection - Our Collection</image:title>
      <image:caption>The Museo Egizio, with its extraordinary collection of statues, papyri, sarcophagi, objects from the daily life and, of course, mummies, is deemed to house the biggest cultural and scientific collection in the field of Egyptian antiquities outside of Egypt, in other words it is second to the Museum of Cairo.</image:caption>
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  </url>
  <url>
    <loc>https://af-me.org/research</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-29</lastmod>
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      <image:title>The Research</image:title>
      <image:caption>TT8- Tomb of Kha and Merit Our aim is to publish the first study of the tomb of Kha and Merit on the occasion of the bicentenary of the Museo Egizio’s foundation in 2024. The research includes archaeometric tests of Kha and Merit’s tomb furnishings and an analysis of the residual organic materials in the receptacles, in collaboration with the UCLA. Kha’s Book of the Dead will be published for the first time together with Merit’s Book of the Dead, the latter now preserved in the Bibliothèque Nationale de France.</image:caption>
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      <image:title>The Research</image:title>
      <image:caption>Book of Breathing The Museo Egizio houses 21 papyri containing the text of the “Book of Breathing.” Its purpose was to revive the deceased, reintegrate them into the cosmos and ensure they were welcomed among the gods. The research project is intended to create a monographic publication to stimulate the international debate on this subject.</image:caption>
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      <image:title>The Research</image:title>
      <image:caption>Reorganization of the Central Photographic Archive The project is aimed at extending out knowledge of Egyptian civilization through the archeological data in the necropolis of the New Kingdom.</image:caption>
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      <image:title>The Research</image:title>
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      <image:title>The Research</image:title>
      <image:caption>Animal Mummies &amp; EURAC/ME Project This multi-year project involves restoration and maintenance of 72 animal mummies and 92 exhibit supports that will allow these artifacts to be displayed, ensuring their best possible exposure and optimal conservation. The collaborative project with the Eurac Research institute aims to study the mummified human finds preserved in the Museo Egizio through a series of tests to critically assess conservation techniques and improve them. The tests to be conducted include water activity testing, CT scans and C14 dating.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/da0e6d30-a9b5-4a20-9a09-53f16592eb17/Scavi+Saqqara+-+Scavi.jpg</image:loc>
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      <image:caption>Archeological research at the Saqqara excavation The project is aimed at extending out knowledge of Egyptian civilization through the archeological data in the necropolis of the New Kingdom.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/c9f00e8f-dd64-471f-9770-b963fe25278d/Screenshot+2021-04-26+at+14.38.10.png</image:loc>
      <image:title>The Research</image:title>
      <image:caption>“Turin Papyrus Online Platform (TPOP)” project The project, devised in collaboration with the universities of Leiden, Liège, Copenhagen, Basel, Leipzig and Munich, involves the study and virtual reconstruction of hundreds of manuscripts and thousands of papyrus fragments. The results of the research will then be disseminated and shared on a dedicated database with open access.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/8fcac296-c8a7-4f86-8a5c-3d1bbb39d71a/Gruppo+89+ushabty.jpeg</image:loc>
      <image:title>The Research</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/36e7d967-87ce-4196-902c-2fa0e8355570/Archives+project+3.jpg</image:loc>
      <image:title>The Research</image:title>
      <image:caption>Archives project The project still underway involves digitizing the archeological and Egyptological documents in the Museo Egizio’s historical and photographic archives to ensure the long-term preservation of these relics.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/8fcac296-c8a7-4f86-8a5c-3d1bbb39d71a/Gruppo+89+ushabty.jpeg</image:loc>
      <image:title>The Research</image:title>
      <image:caption>Scientific database The project is aimed at revising the data contained in the scientific database of the Museo Egizio.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1618481308264-0109H0NK0YC3TWAXWR7L/IMG_0066.JPG</image:loc>
      <image:title>The Research - I believe in museums as research centres, as an open agora, capable of planning and creating new possibilities for growth.</image:title>
      <image:caption>— Christian Greco, Director of Museo Egizio</image:caption>
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  </url>
  <url>
    <loc>https://af-me.org/privacy-policy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-10</lastmod>
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  <url>
    <loc>https://af-me.org/excavation-projects</loc>
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    <priority>0.75</priority>
    <lastmod>2024-08-01</lastmod>
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      <image:title>Excavation Projects OLD</image:title>
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  <url>
    <loc>https://af-me.org/afme-excavation</loc>
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    <lastmod>2026-04-02</lastmod>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects</image:title>
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      <image:title>Excavation Projects - The Expedition to Saqqara</image:title>
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      <image:title>Excavation Projects - Deir El-Medina</image:title>
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      <image:title>Excavation Projects - Coptos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/1624025098678-BTKDCL35OCBLGDPCZ902/Sudan+2.jpg</image:loc>
      <image:title>Excavation Projects - Sudan Excavation</image:title>
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  </url>
  <url>
    <loc>https://af-me.org/afme-projects-1-1</loc>
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    <lastmod>2021-06-18</lastmod>
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      <image:title>Refurbish Spaces</image:title>
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      <image:title>Refurbish Spaces</image:title>
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      <image:title>Refurbish Spaces</image:title>
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      <image:title>Refurbish Spaces</image:title>
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      <image:title>Refurbish Spaces - Room of Writing</image:title>
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  </url>
  <url>
    <loc>https://af-me.org/afme-projects-1-1-1</loc>
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    <lastmod>2021-06-18</lastmod>
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      <image:title>2024</image:title>
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      <image:title>2024 - Room of Writing</image:title>
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  <url>
    <loc>https://af-me.org/afme-projects-all-projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-29</lastmod>
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      <image:title>Afme Projects all projects</image:title>
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      <image:title>Afme Projects all projects</image:title>
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      <image:title>Afme Projects all projects</image:title>
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  <url>
    <loc>https://af-me.org/support-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://af-me.org/bicentenary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-04-02</lastmod>
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      <image:title>200 Years of the Museo Egizio - The year 2024 was a year of great change for the Museo Egizio.   The bicentenary of the Museo Egizio’s foundation (1824-2024) marked the beginning of a major transformation process of the Museum's exhibition spaces, accessibility, and use. Thanks to this extensive renovation, the Museum will increase its display and exhibition areas by more than 1,000 square meters.</image:title>
      <image:caption>We look forward to showing our American Friends the new Museo Egizio!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/606320cca282f254332cbbf3/6337d024-bfdc-4984-b1c7-3c7c194823f0/download+%2812%29.png</image:loc>
      <image:title>200 Years of the Museo Egizio - Piazza Egizia</image:title>
      <image:caption>A new square in the heart of Turin  A modern space made of steel and glass, capable of welcoming everyone: visitors, passers-by and those who are simply curious. The covered area will dominate the 1,000 square meters of Piazza Egizia, which will house the new cafeteria and all other services, including the ticket office.  The architectural project – created by the Dutch architectural firm OMA – focuses on the re-functioning of the building's courtyard, which will become a new public space on two separate levels.  Piazza Egizia will be accessible to everyone and from here it will be possible to take different routes to discover the Museum. Visitors will be able to walk around the rock-cut chapel of Ellesiya, which will be open and free to all, enjoy the beauty of the Egyptian Gardens, and visit ‘Materials. The Shape of Time’, the new exhibition spaces dedicated to material culture and immerse themselves in the multimedia area with projections to experience the Egyptian landscape. </image:caption>
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      <image:title>200 Years of the Museo Egizio - Multimedia area “Immersive Egypt”</image:title>
      <image:caption>Bringing Egyptian Landscapes to the Museum  The large underground hall will offer an immersive environment that, thanks to scientific research and digital innovation, will reproduce some of the archaeological contexts where the artefacts came from.    The biography of the objects will be enriched with evocative landscapes and detailed images to provide a broader and more complete experience about the Museum’s collections and ancient Egypt. The original context will be digitally reconstructed through immersive LED-wall surfaces. Immersive Egypt will complete the process of restitution begun with the bicentennial of the Museo Egizio, becoming, together with the Egyptian Garden and the Rock-Cut Chapel of Ellesyia, a museum space with free access allowing to expand opportunities for learning, foster inclusive engagement, and develop new educational programs tailored to different audiences.</image:caption>
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      <image:title>200 Years of the Museo Egizio - Egyptian Gardens</image:title>
      <image:caption>Double the amount of greenery   Following on from the first Egyptian-style garden created in 2022 in the Museum's courtyard, which was a reconstruction of an Egyptian pleasure garden from the New Kingdom (ca. 1550–1069 BCE), we decided to double the amount of green space. To provide visitors with an even more immersive and tangible experience of ancient Egypt, two new Egyptian gardens were created on the Museum’s rooftop: a funerary garden, associated with the rituals surrounding tombs and funerary customs, and a kitchen garden, linked to daily life, food and diet.  These two gardens, based on existing models and idealised representations, give visitors the opportunity to immerse themselves into the flora of ancient Egypt as the Egyptians intended for both life on earth and in the netherworld. Additionally, a new garden will be introduced in the Piazza Egizia. The arrangement of plants will recall those from ancient Egyptian houses with specimens typical of the Nilotic environment such as palms, sycamores and fig trees.  </image:caption>
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      <image:title>200 Years of the Museo Egizio - The new Gallery of the Kings</image:title>
      <image:caption>From darkness to light   Immediately in front of the rock-cut chapel of Ellesiya is one of the Museo Egizio’s most iconic galleries: the Gallery of Kings. Being highly aware of the great success of the exhibition designed by Dante Ferretti in 2006, Museum staff and curators wanted to propose a new design that reflected the multiple contexts of origin of the statues while also enhancing the architectural style of the building that houses the collection.  The new exhibition design, conceived by architecture firm OMA in collaboration with the Museo Egizio curatorial team, titled ‘From darkness to light’, aims to re-illuminate the spaces and reposition the statues according to how they originally stood in places where they were discovered.    During the refurbishment, the impressive statues were on display in the Museum's atrium, in the same place where they were set up on their very arrival in Turin in 1824.   The new Gallery of the Kings was inaugurated on 20 November 2024 in the presence of President Mattarella. Read the full story</image:caption>
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      <image:title>200 Years of the Museo Egizio - The rock-cut chapel of Ellesiya</image:title>
      <image:caption>Open and free to all  The gallery housing the rock-cut chapel of Ellesiya has been redesigned and made accessible free of charge both from the new covered courtyard and from a new access directly connected to the city. This decision is related to the nature of the temple, it was donated by Egypt to the Italian state in 1970 as a form of thanks for Italy’s participation in the UNESCO mission to save the Nubian temples. The temple of Ellesiya is therefore national property and hence a form of cultural heritage that belongs to everyone.   In rethinking the gallery’s display, greater emphasis has been placed on the archaeological context of origin, including the use of modern digital technologies. Using video mapping techniques, the new display recounts the long history of the temple from its construction to its rescue in the 1960s following the construction of the Aswan Dam.   The rock-cut chapel of Ellesiya inaugurated on 20 November 2024 in the presence of President Sergio Mattarella. Read the full story</image:caption>
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    <lastmod>2024-08-07</lastmod>
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      <image:title>Touring Exhibitions</image:title>
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